Orson Oblowitz's Trespassers, the latest horror film to illustrate this principle, doesn't add anything particularly original to the home invasion genre. But it does provide some cheap thrills along the way.
A disappointingly rote riff on the home invasion thriller sub-genre that is made with just enough style, thanks mostly to the contributions of cinematographer Noah Rosenthal, to make you wish that it was better than it is.
The movie has some small surprises along the way, but overall doesn't try to reach beyond the scope of a classic, and often reproduced, invasion horror. What it does bring to the screen is some enhanced style in the filmmaking.